Beach House::: Cork Opera House 27/10/12


This was a gig that had been marked in my calendar since it was announced a few months back. Victoria Legrand and Alex Scally had to compete with the Jazz festival but they managed ably and by the time they took to the stage the place was packed. All credit must be given to Mary Hickson of the Opera House in managing to bring such a name act to Cork.

They seem like an act that are uncomfortable with their relative fame. There’s an endearing kind of awkward reluctance to embrace the fact that they’ve managed to become so big. Beach House are not an outfit that roll with rock star swagger and they’re as about as unassuming an act as you’re likely to find. In fact the banter about an ‘after’s party’ was probably the least relaxed bit of class clowning you’re likely to see from an act of Beach House’s size.

I missed the support act owing to my own stupidity, yes the ticket did say 8 and not 9. Good one Niall. But I managed to get over the scheduling mix-up and arrived to a seatless Opera house just as the main event took to the stage. A quick shimmy through the throng and I’d gotten myself a rather nifty spot up the front.

The audience were in fine voice and roared their approval for the classics from 2010’s Teen Dream. ‘Silver soul’, ‘Walk in the park’, and ‘Norway’ got things going in a set that was largely dominated by tunes from Teen Dream and their new long player Bloom. It was no bad thing, they were joined on stage by a drummer and managed to create a huge sound. It was perhaps strange for some for an act that made their mark on the intimate side of the musical spectrum but for my money it worked and by the time they rattled through ‘Zebra’ the crowd was well in hand. It was a great showing with Victoria hammering the keyboard with gusto and Alex really working through his paces with some fantastically shimmery guitar work .

I didn’t even bother trying to get to the bar at this point as I’d worked hard for my spot up the front and there was no way I was missing a minute of this. They finished with their final song  ‘10 mile stereo’ , Victoria had said to me in an earlier interview that the band were very careful in how they licence their music but if the amount of camera phones that sprang into action with this tune then their lending of the tune to Guinness was worth the gamble in terms of recognition.

There was never any danger of an abrupt end to proceedings and audience were baying for more .They retook the stage to deliver an absolutely belting encore with ‘Irene’. All in all a thoroughly enjoyable effort from Baltimore’s most recognisable export since The Wire

Cat Power::: Cancels European Tour


Cat Power has posted a photo to Instagram, accompanied by a note saying that she may have to cancel her European tour due to bankruptcy and health concerns. Hopefully Cat can make a full recovery and return to Irish shores again…

Here’s what she wrote:


Foals::: New Album announced

Good news for fans of Oxford-based indie outfit Foals. The Quintet have announced details of their third LP: Holy Fire which will be released on February 11, 2013.

Holy Fire was recorded with producers Flood and Alan Moulder in London, and “Inhaler”, the first song to be released from the record, will receive its radio premiere on November 5.

Foals have announced an short UK series of dates in November and December, along with a one-off club date in Sydney for 2013.

Little Green Cars :::The John Wayne

Photo: Woo!! First copies of 'The John Wayne" just in! Limited run of 100 white vinyl!


Little Green Cars have just released the video to their new single ‘The John Wayne’. The indie-rock number was filmed in Goulding Summerhouse in Co. Wicklow. The band are on a roll right now right now having just completed their first US tour.

Little Green Cars return to Irish shores for a headline show in Whelans on November 8th. The debut album is scheduled for release in early 2013.

Little Green Cars – The John Wayne. Single available now.
iTunes Ireland:

Fred:::The Pavilion, Cork, 25.10.12

Courtesy of

Fred cost me a tenner tonight – I ill-advisedly bet a friend that the band did not have a science-related song. I was wrong. I’d forgotten the wonderfully titled ‘The Wondering Geologist’ off 2002’s Can’t Stop I’m Being Timed.

I only mention this as Fred were promising to delve into all four of their albums as they returned to the shores of the Lee for a hometown gig. It was always likely to be a suitably joyous affair. Over the course of their career, Cork’s finest have managed to develop a reputation for being tremendous fun live – on the back of this they can always count on a devoted crowd when they’re on their home turf. Natural bias aside, they’re in my opinion one of the most accomplished live acts in the business and they never fail to entertain. Tonight wasn’t any different.

Dublin five piece The Gorgeous Colours warmed up the crowd with a nice set that mixed tracks from their EP and their forthcoming album, their combination of pop-tinged ditties and soaring melodies got things ticking over nicely. Highlight of their short set was the wonderfully melodic ‘It’s ok to be normal’.

Before long the main event took to the stage. Bouncing into view with their typical blend of energy and stage presence, Fred launched straight into a set that encompassed most of their back catalogue highlights, and then some. This was as promised, one for the fans. There were plenty of numbers from the mists of their near 15 years plus of making music.

‘Moonjuice’, their first ever recorded track, was an appropriate choice and it got the place moving. The crowd lapped up every minute of it. They nearly lifted the roof with ‘Four Chords and the truth’, Jamie Hanrahan making a rare foray to the mike for this spoken word-ish belter from their second album. Frontman Joe O’Leary was clearly enjoying himself and he worked the crowd for all it was worth, the banter was flying.

Here were an act on familiar territory and dipping in and out of their musical history. It was a fantastically energetic and raucous affair. The boys even had a few ladies from the West Cork Ukulele Orchestra join them on stage for two tracks to add to the carnival atmosphere. By the time crowd favourites ‘Skyscrapers’ and ‘Running’ were aired we’d already had a conga line and an impatient demand for acknowledgement for the ‘girls from Sherkin Island’.

Acknowledgement was theirs; it was just one of those kinds of nights. There was a healthy mix of tunage from Fred’s back catalogue on display, it was great to hear forgotten favourites from Making Music so You don’t Have to were sitting comfortably alongside newer material like ‘Trial By Fire’.

Far too quickly the set zipped by and before we knew it the encore was done and dusted and Fred departed the stage leaving their audience sweaty and exhilarated. Playing your hometown can, as they admitted themselves, often be like playing in front of your relatives but there was no self-consciousness, stumbled lines or family arguments here. The Fred boys came to town and left the Pav conquered in their glorious wake.

Bat For Lashes ::: The Haunted Man

Natasha Khan’sthird album is out. Despite a string of cancelled Irish festival appearances I’ve decided to forgive her and have a listen off her new log player. Its not half bad. The cover shows  a nekkid Khan holding an equally nekkid fella, in a firewoman’s lift.

Its a stylistic departure from breakthrough Two Suns‘  sound. The first sing “All your Gold” is more immediately poopy and sets the tone for the record.”Laura” is the other standout track here, its co-written with Lana Del Rey collaborator Justin Parker and it’s an overtly pop sounding track.

Other notable tracks are “Oh Yeah” and the Beck-featuring “Marilyn”, which blend pop, electronica and an almost Kate Bush esq-ness to great effect . Theres enough here to ensure that Khan won’t be disappearing into obscurity anytime soon. Its one of the best records released in the last few months and bares upto repeat listening. Well worth a sconce.

Life’s a Beach::: Cork Opera House 27/10/12

Word on the street is that tonight’s Beach House concert is fast approaching a sellout. If you’re lucky enough to have a golden ticket then you’re in for a treat as the Baltimore duo have been wowing audiences and critics alike on their current Frightened Eyes tour.

Fans can expect plenty of numbers off the current album ‘Bloom’ and of course a healthy smattering of hits from their breakthrough record ‘Teen Dream’. This punter is certainly looking forward to seeing them for the first time. They entered my radar with 2008’s ‘Devotion’ and they havn’t strayed far off it since with their star certainly in the ascendancy in recent years. I was quite surprised and delighted to see that they were going to be paying a vist to the banks of the Lee.

I had the pleasure of speaking with Singer/Keyboardist Victoria Legrand a couple of weeks ago and she was the kind of commited muso that makes music nerds like me buy records in the first place. So theres supposedly a few balcony tickets left for tonight, if you want to avoid the jazz hordes and catch a genuinely brilliant band then do yourself a favour and rock along to the Opera House.

Beach House play Cork Opera House tonight and Vicar St, Dublin tomorrow night.

Introducing::::Dot Dash

Dot Dash are a  post-punk pop quartet who hail from Washington D.C.  The band have released their second full-length long player “Winter Garden Light” earlier this year.

The band have been described as “… an eclectic fusion of power pop, indie/alternative, mod, and shoegaze vibes… the sound explodes into wall-of-sound dreamy arpeggios and garage fuzz… and high velocity dream-pop energy.” High praise indeed. If you like your garage rock, rough and ready then this act might be just the ticket  for you.

Here’s a new video (just out) — of their new song called ‘The Past Is Another Country.’

Winter Garden Light is out now on The Beautiful Music.

Kylie & Nick Cave re-record “”Where the Wild Roses Grow”

Originally released as the lead single from Nick Cave and the Bad Seeds’ Murder Ballads album. Everyone’s favourite antipodean odd couple recently re-recorded a sparse rendition of the grisly ballad for Minogue’s new EP, The Abbey Road Sessions (released by Parlophone on October 29 in the U.K., and November 6 in the U.S.), on which she revisits a selection of hits from her 25-year career with the help of an orchestra at the iconic London studio. Listen here

FRED::: Q& A

Courtesy of

Hometown heroes made good Fred rifle through their back catalogue at The Pavilion tonight – Niall checked in with them to see how their 2012 has been

It’s been another busy year for the band, between the continuing success of 2011′s Leaving my Empire, to playing Electric Picnic, to swapping tunes with the Franks and the Walls in the Beamish Brewery, it’s been an interesting time. Has there been anything in particular that sticks in the memory with you from 2012?
Ordinarily when you think of highlights in a year, it tends to be stuff like that, different shows or tours abroad and so on, but outside of that the highlight has been that we signed an international Publishing deal with a company called Nettwerk.
It’s a strange sign of the times but publishing and having your music played in TV Shows, ads, movies etc. around the world has become the launchpad internationally for many artists over the last few years, now that the tradional distribution model for music has gone out the window. For us, it’s a nice validation of our own suspicions that our music would work anywhere through any medium.

You’ve garnered the reputation of now being ‘big in Canada’. How did that come about?
That’s true, it’s Celine Dion, Bryan Adams, Us and Alanis Morissette. Between the four of us, we’ve carved up that territory. Unfortunately we drew the short straw and got the northern, unpopulated area.

We took a chance a few years back of playing an industry festival in Toronto, and on the strength of the gig (and much behind the scenes preparation and pre-emptive inviting of the appropriate people by our manager), we came out of it with a Canadian record deal with a company called Sparks Music. Now we’re just counting the dollars as they roll in. But they’re Canadian, so it’s not real money.

You’re returning to Leeside with upcoming sets in the Pav and Skibbereen. Is it always different to be playing in front of the ‘home crowd’ so to speak?
Sometimes it’s like playing in front of your family. You know there’s nothing but loving support there, but it’s also slightly awkward because these people changed you when you soiled yourself, and bathed you naked. This is more true when you play in front of your parents.

The shows we’re doing in Cork where we’re playing songs from all of our albums, could only really be done here first as outside of Cork, few people would know our first album, as you can’t get it anymore. It’s actually quite exciting, kind of like having a reunion with people you haven’t seen in years. Lets hope they’re all fat and ugly now.

I mentioned last year’s Leaving my empire. The record was really well recieved critically and made a nice dent in the music-going consciousness too. It was in many ways a less poppy record than its predecessor. Were you pleased with how the record was received?
It was quite a conscious decision for us to make a record like that. The previous album got us a huge amount of daytime radio play, and we’ll be forever grateful for that as it multiplied our audience and enabled us to keep going where we wanted to go.

However, the music we all love and enjoy is maybe not as poppy as that album. So when making Leaving my empire, we focussed on trying to create what we’d love. There were one or two songs we had recorded that may have been more radio friendly, but they didn’t fit in with the overall picture of the album so were left off.

We knew that these songs wouldn’t have daytime radio appeal, and maybe would mean less sales intitally, but it got a great reaction and lots more interest from the established industry and music lovers, hence allowing us to sign international publishing deals.

As a band that have been making music for over ten years, is there any advice you’d have for acts that are just starting off? How do you reflect on your back catalogue from this standpoint?
Hard to say really. When you start off, more often than not you’re sustained and fuelled by a love of it. The longer you go, the harder it is to maintain that without growth.

If I had advice it would be to try looking at the bigger picture early on. When doing gigs, ask why you’re doing them, what will you achieve, is there real progress here, or are we just doing it because that’s what bands do. Of course there are times you can’t think like that and you just do stuff because you want to and would like to. But if you can have a general vision of where you want to go then you can measure the things you’re doing by that standard and if they help achieve that vision.

In terms of back catalogue, because of these shows we’ve had to go through the early material, and some of it feels like discovering a bad letter or poem you wrote when you were in school. Some of it sounds excellent.

Lastly, what’s in store for Fred for the rest of 2012 and the new year?
We are taking this show – where we play all our old songs – around the country before the year is out. Cork will be a good barometer as to whether it works.